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Alfredo Méndez, 40, keeps his wife's cryogenically preserved corpse in his country house. This unusual behavior stems from his love for her and his medical ambition. However, in recent years his health has been declining, forcing him to seek the care of Corona, a young nurse who also serves as a maid.

Fifteen years ago, a figure shrouded in darkness left a crying baby on the steps of a church. Now, a private investigator brings news that Audrey and her wife Carrie never thought they’d have to deal with: their adopted son’s biological grandparents are determined to find their grandchild and raise him as their own. As the murky truth behind the adoption is revealed, the couple must use whatever means necessary to keep their family together.

Face Value is a quirky satirical film based on a young man's obsession with his frown lines, the lengths at which he goes to smooth out his wrinkles and the money he spends, much to the annoyance of fellow housemates Toby and Sarah. To escape the mountain of debt his obsession has cost, Joey agrees to take part in a trial skin rejuvenation treatment, with some very unexpected results.

A group of coworkers buy a piano at a yard sale for a friend in need.

An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi's interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: "there is more to life than lights... camera... and action!"

Ashlyn longs to be on stage, but her inability to accept herself keeps her from pursuing that dream. When confronted with the opportunity to audition for the lead role in her school's play, Ashlyn must decide whether to hide who she is or risk showing herself.

"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight." 　　Deke Dusinberre 'Perspectives on British Avant-Garde Film' catalogue 1977

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